As someone who writes nonfiction for kids for a job, I find myself confronted with an obstacle that primarily affects me when I work on my personal fiction. Which is, I don’t want to do it. After all, for my nonfiction I have an editor and a deadline and most importantly, I get actual money from it to pay my bills. Those things get me typing away. And while I’m working on making more of a profit with my fiction, I don’t have the same motivation in terms of structure and incentives that I do with my nonfiction. So here are some things that have helped me get my words down despite the financial incentives.
Major. These actions have had the most effect on my productivity.
Goals and Deadlines. I always have one project or another in the works so for me there is no shortage of things…
K.L. Schwengel, fantasy author extraordinaire and founder of the weekly WIPpet (work in progress snippet) challenge, tagged me here to participate in a writing process blog tour. So here goes!
1. What am I working on?
Currently, I am finishing up the next to the last draft of the first book in my new historical adventure series, called City of Ages. I will be finished with that draft within a matter of days, and then it goes out to my beta readers and back to me for final fixes. I met some agents and an editor at last year’s Historical Novel Society Conference in St. Petersburg, Florida and I’d really like to get the book out to them sooner rather than later. I’ve written about 50,000 words of Book 2 in the series, but it’s a rather a rough state, so as soon as I hear back from the various agents and editors and figure out how the book will be published – hopefully via a traditional publisher, since that’s what I think would be the best fit for this particular project – then I will continue on with the rest of the books in the series. In the meantime, I will be researching and researching and researching some more.
I also have a fantasy series that I wrote 20+ years ago that I’m determined will see the light of day this year. So that will be my next major project, rewriting and editing and sweating blood over that one. It’s exciting, though, because I spent so much of my life, passion, and energy dwelling on it over the years, so the fact that might bear fruit soon makes me happy.
2. How does my work different from others of its genre?
Well, I guess that is different for two reasons:
a. Intense focus on characterizations and an accompanying fascination with their emotional journeys, which always forms the core of whatever I’m working on. I try not to be too heavy-handed with it, because such a thing is more of a theme than a plot device, but some sort of transformation and emotional journey/quest really forms the core of my work more than anything.
b. Historical detail and setting/details in general. Throughout my life I’ve also kind of swung between obsession with history — which utilizes the more analytical, critical thinking centers of my brain — and writing — which utilizes the creative part of my brain. At this point they have merged together to produce historical fiction. I have a master’s degree in history with a focus on the Ancient Mediterranean, so the ancient world and its influence on the Early Middle Ages really floats my boat. The world and setting of my first novel Necropolisreally has been influenced by this, although it is not a straight historical book but rather a fantasy world. It’s based on the societies of the Ancient Mediterranean rather than those of many fantasies, which are based on the societies of Western Europe.
3. Why do I write what I do?
Because there’s only one me, and despite the fact that I am only one small flickering light in the blazing sun of the universe, I have a unique take on certain things, or so I would like to think, anyhow. Because of that hopefully my work will appeal to other like-minded people. I had a rather difficult childhood and a lot of health problems in adulthood so reading has really been a wonderful escape for me from the pain of daily existence. I would like to bring that same escape and wonder to others.
4. How does my writing process work?
Well, work wouldn’t exactly be the term I’d use for it LOL. Back in the day when I first started writing it was like falling in love, effortless and exciting and all-consuming. I wrote and wrote and wrote with nary a thought for passive verbs, run-on sentences, and stupid plot lines. Then I grew up and obsessed over those things for so long that I didn’t get any writing done for many years.
My latest book City of Ages started its life as fanfic, believe it or not. I’ve been heavily involved in a fandom which I will not name here, although you can figure it out if you look at the accompanying photograph, and I used the two lovely leads as inspiration for the main characters in this book. Justus’s physical appearance is based on the physical appearance of the blonde dude here, and Tristan’s is based on the physical appearance of the dark-haired guy. That’s pretty much where the similarities end, because their personalities are original, as is the storyline of the novel.
Anyhow, I participated in a fandom challenge that provided me with support and a deadline that I really needed to crank out the first draft of the book. It was quite a painful experience. I literally only wrote 100 to 200 words a day for months on end and it was like pulling teeth. I collapsed into a dramatic weeping heap upon finishing it because it had been such a difficult experience. Yeah, I wish I was kidding about that, but sadly, I’m not.
Upon reflection, I think that is because I allowed my critical mind – my editor’s mind – too much hold over me when I was trying to write the first draft. Plus I find plotting really difficult, and my process until now has been to just jump in feet first, and wander around like a lost little puppy trying to find the signposts that make for a satisfying story. Afterward, then, I figure out the book’s theme and write the one to two sentence logline describing what happens therein, and generally just figure out what it’s all about. My dear friend Cheryl Dyson introduced me to a different way of setting up and plotting a book called the Snowflake Method, which basically does this process in reverse. You figure out your book’s theme, then create a short description, in-depth profiles of characters, scenes that fill up the book, and then you write. It seems like a much more efficient and – hopefully – quicker means of writing. I’m going to give it a shot. Wish me luck!
So here’s the place where I tag three other writers to continue on with the Writing Process Blog Hop. Since one of these writers is currently on vacation, I’m going to put the deadline for their blog posts out at April 21, 2014.
Cheryl Dyson’s father’s occupation as an actual cowboy caused the family to move around a lot – in fact, she’s lived in so many Western towns that she can’t remember them all. As a youngster, she competed in professional Appaloosa horse shows, winning numerous ribbons and trophies in varied events. Her favorite thing to do was ride a horse (at a dead gallop) to a nice, secluded spot where she could read in peace. When she eventually ran out of books, this habit led her to writing. Adulthood brought experience working in various accounting positions, all the while writing novels, short stories, and screenplays. Cheryl lives in Washington state where she spends her free time cooking, crafting, and—of course—reading and writing. Her status as Commander of the Universe, coupled with her prolific writing of Harry Potter fan fiction, has garnered her many groveling peons (and several marriage proposals) in the U.S., Russia, and China. Cheryl’s available ebooks include The Gauntlet Thrown and The Challenge Accepted, Books One and Two of the Gauntlet Trilogy.
Janet Loftis – Born and raised in the Midwest, Janet fled to sunny California to escape the cold, dark winters, only to now explore the colder and darker sides of human nature in her horror and fantasy fiction. With a BA in Anthropology and Archaeology, and a MA combining Cultural Anthropology with Creative Writing, Janet’s stories are inspired by the mythos of cultures around the world. From science-fiction to fantasy to horror, and from short stories to screenplays, Janet has seen her fiction published in a variety of online and print magazines, and placed in the finals and semi-finals of screenplay competitions. Next on Janet’s agenda are more horror shorts, a horror screenplay, and the marketing of (believe it or not) a family-friendly screenplay! Janet’s available story collections include Skin and Bones, Zombies and Aliens, Mother’s Day, and Gnomes & Aliens.
Deb Ochery has had an interesting and vaguely checkered history, although it probably more closely resembles paisley than checkers. She has roamed the earth searching for suitable converts to add to her growing stable of sturdy boytoys and like-minded friends. She loves to meet new people and spends most of her non-writing time studying unsuspecting humans for fiction fodder, or sometimes bedroom fodder, or occasionally both. Deb has a deep and abiding interest in all things erotic with a particular slant towards romantic erotica. Let’s face it, sex is much more enjoyable with some nice foreplay, whether it be a glass of wine and dinner out or choosing a selection of silk ties and lubricants for the bedroom. Deb is very open-minded when it comes to sex and her books and stories reflect that. She believes human sexuality is fluid and ever-evolving and her characters often face some unexpected attractions that lead to difficult, albeit ultimately rewarding, choices. Getting there is half the fun. Her erotica novel Be Careful What You Wish For, the first book of The Kendra Chronicles, is available now.